Stop Stacking Advanced Tips On Shaky Foundations
Private 1:1 mentorship for House and Minimal producers at any level, from absolute beginners to seasoned producers. I correct your specific mistakes live inside your Ableton projects and build a clear workflow so you can finish tracks with confidence.
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Stop Stacking Advanced Tips On Shaky Foundations
Private 1:1 mentorship for House and Minimal producers at any level, from absolute beginners to seasoned producers. I correct your specific mistakes live inside your Ableton projects and build a clear workflow so you can finish tracks with confidence.
Labels My Students Have Released on
This is a short call to look at where you’re stuck
and see if the mentorship makes sense.
You’ve watched the tutorials.
You’ve followed the courses.
But when you sit down to make music, you still get stuck.
You’ve watched the tutorials.
You’ve followed the courses.
But when you sit down to make music, you still get stuck.
The real issue
You’re not short on information. You’re overloaded with it.
You follow tutorials step by step, but when it’s time to work on your own track, you end up looping eight bars, tweaking small details, and hoping it clicks.
You listen next to a pro track and think, something is off, but you can’t explain what or why.
So you look for another tutorial.
The real issue
You’re not short on information. You’re overloaded with it.
You follow tutorials step by step, but when it’s time to work on your own track, you end up looping eight bars, tweaking small details, and hoping it clicks.
You listen next to a pro track and think, something is off, but you can’t explain what or why.
So you look for another tutorial.
Why this keeps happening
Tutorials show you what to do in their project.
Courses assume your foundations are already solid.
But if your groove, sound choices, or order of operations are even slightly off, everything downstream suffers, and finishing stays out of reach.
So you keep adding more information on top of foundations that were never fixed.
Why this keeps happening
Tutorials show you what to do in their project.
Courses assume your foundations are already solid.
But if your groove, sound choices, or order of operations are even slightly off, everything downstream suffers, and finishing stays out of reach.
So you keep adding more information on top of foundations that were never fixed.
The uncomfortable truth
More knowledge won’t fix this.
More videos won’t fix this.
Because the problem isn’t what you’re learning.
It’s what was never corrected underneath.
The uncomfortable truth
More knowledge won’t fix this.
More videos won’t fix this.
Because the problem isn’t what you’re learning.
It’s what was never corrected underneath.
Progress doesn’t come from more information. It comes from correction. I open your project, identify exactly what’s holding it back, and fix it with you, live.
Not a generic example. Not a checklist. Your actual track.
We fix the foundations first, so everything after finally works.
You know exactly
what’s wrong and
what to do next.
Less overthinking.
More progress.
A repeatable workflow.
Cleaner low end,
tighter groove,
and a finish that holds
up next to pro tracks.
At a certain point, more information stops helping. The producers who improve fastest are the ones who can spot problems quickly, fix them properly, and move on.
That’s what this mentorship trains, clear decisions, not shortcuts.
Progress doesn’t come from more information. It comes from correction. I open your project, identify exactly what’s holding it back, and fix it with you, live.
Not a generic example. Not a checklist. Your actual track.
We fix the foundations first, so everything after finally works.
You know exactly
what’s wrong and
what to do next.
Less overthinking.
More progress.
A repeatable workflow.
Cleaner low end,
tighter groove,
and a finish that holds
up next to pro tracks.
At a certain point, more information stops helping.
The producers who improve fastest are the ones who can
spot problems quickly, fix
them properly, and move on.
That’s what this mentorship trains, clear decisions, not shortcuts.
A clear system that removes guesswork
and shows you exactly what to do next
Sessions are practical and hands on.
We work inside your project in real time, fixing problems as they appear.
You don’t just hear what’s wrong, you see it and correct it.
You send the work back before the next session.
I review it properly and catch mistakes early.
If something’s off, we fix it before it turns into a habit.
We only move forward once something is solid.
If the groove isn’t right, we stay there.
That’s how progress speeds up instead of falling apart later.
A clear system that removes guesswork
and shows you exactly what to do next
Sessions are practical and hands on.
We work inside your project in real time, fixing problems as they appear.
You don’t just hear what’s wrong, you see it and correct it.
You send the work back before the next session.
I review it properly and catch mistakes early.
If something’s off, we fix it before it turns into a habit.
We only move forward once something is solid.
If the groove isn’t right, we stay there.
That’s how progress speeds up instead of falling apart later.
Different starting points. The same correction process.
Julian Fijma
Before
No releases. No clear system. Couldn’t finish tracks that sounded professional.
Correction
We went inside his projects, fixed the fundamentals holding his tracks back, and gave him a clear structure for finishing music.
After
First EP signed to Eastenderz. First international gigs booked within two months.
Ryan Nicholls
Before
Had releases, but felt inconsistent and frustrated. Struggled to finish music regularly.
Correction
Instead of guessing and overthinking, we rebuilt his process so finishing music became repeatable instead of stressful.
After
Major releases on PIV and Wyld. Ongoing collaborations with artists like Ruze and Prunk.
Joe Rolet
Before
A seasoned producer with 20 years of experience, but stuck translating that knowledge into a current, heavy hitting sound.
Correction
We reshaped his existing approach and redirected it toward a more modern, label ready sound without starting from scratch.
After
Music signed by Jamie Jones on Paradise and played in Ibiza, landing exactly where it needed to.
Lauren Steel
Before
A complete beginner with no production background and no clear starting point.
Correction
We slowed things down, built strong foundations step by step, and created a clear, repeatable process for finishing tracks.
After
Releases on Moxy, Tamango, Metaflow, and Rendr.
Different starting points. The same correction process.
Julian Fijma
Before
No releases. No clear system. Couldn’t finish tracks that sounded professional.
Correction
We went inside his projects, fixed the fundamentals holding his tracks back, and gave him a clear structure for finishing music.
After
First EP signed to Eastenderz. First international gigs booked within two months.
Ryan Nicholls
Before
Had releases, but felt inconsistent and frustrated. Struggled to finish music regularly.
Correction
Instead of guessing and overthinking, we rebuilt his process so finishing music became repeatable instead of stressful.
After
Major releases on PIV and Wyld. Ongoing collaborations with artists like Ruze and Prunk.
Joe Rolet
Before
A seasoned producer with 20 years of experience, but stuck translating that knowledge into a current, heavy hitting sound.
Correction
We reshaped his existing approach and redirected it toward a more modern, label ready sound without starting from scratch.
After
Music signed by Jamie Jones on Paradise and played in Ibiza, landing exactly where it needed to.
Lauren Steel
Before
A complete beginner with no production background and no clear starting point.
Correction
We slowed things down, built strong foundations step by step, and created a clear, repeatable process for finishing tracks.
After
Releases on Moxy, Tamango, Metaflow, and Rendr.
This isn’t about motivation or hype. It’s about clarity, momentum, and removing doubt.
You always know where you stand.
The feedback is direct, practical, and focused on your actual track.
Nothing vague, nothing personal, just clear fixes that move things forward.
People often say this is the first time things actually make sense.
You stop feeling scattered.
Instead of opening Ableton and bouncing between ideas, plugins, and tutorials, you sit down with a clear intention.
You know what matters right now, and what doesn’t.
That mental noise gradually disappears.
You’re not left guessing what to do next.
You always know whether you’re on the right track, or if something needs fixing.
That removes a huge amount of pressure and overthinking.
Progress stops feeling random.
Confidence comes from repetition, not reassurance.
As the process starts working consistently, doubt fades.
You trust your decisions more, because they’re based on experience, not hope.
That’s usually the biggest change people notice.
This isn’t about motivation or hype. It’s about clarity, momentum, and removing doubt.
You always know where you stand.
The feedback is direct, practical, and focused on your actual track.
Nothing vague, nothing personal, just clear fixes that move things forward.
People often say this is the first time things actually make sense.
You stop feeling scattered.
Instead of opening Ableton and bouncing between ideas, plugins, and tutorials, you sit down with a clear intention.
You know what matters right now, and what doesn’t.
That mental noise gradually disappears.
You’re not left guessing what to do next.
You always know whether you’re on the right track, or if something needs fixing.
That removes a huge amount of pressure and overthinking.
Progress stops feeling random.
Confidence comes from repetition, not reassurance.
As the process starts working consistently, doubt fades.
You trust your decisions more, because they’re based on experience, not hope.
That’s usually the biggest change people notice.
This is a short call to look at where you’re
stuck and see if the mentorship makes sense.
This is a short call to look at where you’re stuck
and see if the mentorship makes sense.
Input your text in this are
Is this suitable for beginners?
Yes.
Some people start with no finished tracks. Others have years of experience but feel stuck. We always start from where you actually are and correct the foundations first, so beginners don’t get overwhelmed and advanced producers don’t waste time.
I’ve been producing for years. Will this still help?
Absolutely.
Many experienced producers come in with strong knowledge but weak habits or blind spots. The work isn’t about learning more, it’s about correcting what’s holding your tracks back and building a repeatable process that finally works.
How much time do I need between sessions?
You’ll need time to practise what we work on.
Every session ends with clear, specific tasks so you know exactly what to do between calls. The people who see the best results are the ones who do the reps consistently.
What happens on the discovery call?
We look at where you’re currently stuck, what you’ve already tried, and whether this approach is the right fit for you.
There’s no pressure and no obligation. If it’s not right, I’ll tell you.
Will you just tell me what to fix, or show me how?
Both.
You’ll understand what’s wrong, why it’s wrong, and how to fix it properly so you can apply the same thinking on your own tracks moving forward.
Is this about finishing tracks or getting signed?
It’s about building a process that leads to finished, confident music.
Releases and opportunities come as a result of that, not from shortcuts. Some clients sign music, others just finally enjoy producing again. Both matter.
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